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It's All About The Copyright
 
Prior to any songwriter, submitting his/her composition to a publisher, the composition of either music or music and words, should be copyrighted by the author/songwriter for his/her protection!  What is copyright?  The copyright law of the United States provides for copyright protection in "musical works, including any accompanying words" which are fixed in some tangible medium of expression. (Title 17 of the United States Code) Musical works include both original compositions and original arrangements or other new versions of earlier compositions to which new copyrightable authorship has been added. The owner of the copyright in a work has the exclusive right to make copies, to prepare derivative works, to sell or distribute copies and to perform the work publicly. Anyone else wishing to use the work in these ways must have the permission of the author or someone who has derived rights through the author. Copyright office:  www.loc.gov/copyright/    Forms:  www.loc.gov/copyright/forms/

 
 
 
 
Copyright Office Publishes Report on Federal Copyright Protection for Pre-1972 Sound Recordings


The U.S. Copyright Office today issued its report on Federal Copyright Protection for Pre-1972 Sound Recordings, as required under the Omnibus Appropriations Act of 2009. The report, prepared after receiving written and oral input from stakeholders, recommends that sound recordings made before February 15, 1972 be brought into the federal copyright regime.

"The Copyright Office is grateful for the opportunity to explore this issue and to assist Congress in addressing how best to preserve and offer appropriate access to these works that are such an important part of our cultural patrimony," said Register of Copyrights Maria A. Pallante. "We believe that bringing pre-1972 sound recordings into the federal copyright system serves the interests of consistency and certainty, and will assist libraries and archives in carrying out their missions while also offering additional rights and protection for sound recording right holders."

Although sound recordings were first given federal copyright protection in 1972, sound recordings made before February 15, 1972 remained protected under state law rather than under the federal copyright statute. As a result, there are a variety of legal regimes governing protection of pre-1972 sound recordings in the various states, and the scope of protection and of exceptions and limitations to that protection is unclear. Current law provides that pre-1972 sound recordings may remain protected under state law until February 15, 2067. After that date they will enter the public domain.

  • At the urging of sound recording archivists, Congress instructed the Copyright Office to conduct a study on the desirability of and means for bringing pre-1972 sound recordings into the federal copyright regime. Congress directed that study was to cover the effect of federal coverage on the preservation of such sound recordings, the effect on public access to those recordings, and the economic impact of federal coverage on rights holders. The study was also to examine the means for accomplishing such coverage.

  • Bringing pre-1972 sound recordings into the federal copyright system completes the work Congress began in 1976 when it brought most works protected by state common law copyright into the federal statutory scheme.

  • Federalization would best serve the interest of libraries, archives and others in preserving old sound recordings and in increasing the availability to the public of old sound recordings.

  • The principal objection offered by certain right holders – that federalizing protection for pre-1972 sound recordings would cast a cloud over existing ownership of rights in those recordings – can be addressed by expressly providing that the ownership of copyright in the sound recording shall vest in the person who owned the rights under state law just prior to the enactment of the federal statute.

  • The term of protection for sound recordings fixed prior to February 15, 1972 should be 95 years from publication or, if the work had not been published prior to the effective date of legislation federalizing protection, 120 years from fixation. However,

    • In no case would protection continue past February 15, 2067, and

    • In cases where the foregoing terms would expire before 2067, a right holder may obtain extended protection for any pre-1972 sound recording by making that recording available to the public at a reasonable price and, during a transition period of several years, notifying the Copyright Office of its intention to secure extended protection extended protection.

The report is available on the Copyright Office website at www.copyright.gov/docs/sound.




  • January 9, 2012
    Due date for objections to newly designated specialty stations
  • January 9, 2012
    Due date for responses to any of the MPAA objections
  • January 16, 2012
    Due date for comments on small copyright claims
  • February 10, 2012
    Due date for comments on proposed classes of works to be exempted from the prohibition against circumvention
  • March 2, 2012
    Due date for reply comments addressing points made in the initial comments on proposed classes of works to be exempted from the prohibition against circumvention

U.S. Copyright Office
101 Independence Avenue SE
Washington, DC 20559-6000
(202) 707-3000

 
 
 
 
Need More Copyright Answers?
 
Still have copyright related questions? Please feel free at any time, to contact us at: (702) 568-7108 and speak to a knowledgeable representative. Or you can use the e-mail form below. Please complete the form with as much accurate information, so we can best assist your comments, questions or concerns!

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